On Sunday, Lars Vilks, a controversial Swedish artist was killed in a car crash on a motorway in Sweden. Police are investigating the death for suspicious circumstances. It seems as if a tire exploded causing his car to break the central barrier and crash head on into an oncoming lorry. In the vehicle with him were two policemen – his protection.
Lars Vilks had 24-hour police protection as he was living under a fatwa issued by al Qaida. The price on his head was 100,000 USD and an extra 150, 000 if the perpetrator slit his throat.
The fatwa was a response to a series of drawings that Lars Vilks produced in 2007 in a local art show. His pictures depicted the prophet Muhammad, something that is considered blasphemous in anti-iconic Islamic tradition. To create double impact, Vilks depicted the prophet as a so-called ‘roundabout dog’ – a type of street art in Sweden. Depicting the prophet as a dog was deemed extra offensive. It caused such a local and international response that some newspapers in Sweden printed some of his drawings in articles about freedom of speech – causing even more fury.
The whole Lars Vilks case generated huge debate around issues of freedom of speech, respect, art, censorship, religious influence and terror. Throughout the years, he was the victim of many attacks and murder attempts, including bombing and arson.
The catalyst for Vilks’ work was the ‘Jyllands-Posten Muhammad cartoons controversy’ which began after the Danish newspaper Jyllands-Posten published 12 editorial cartoons in 2005. Most of the pictures showed Muhammad. The newspaper announced that this was a debate about criticism of Islam and self-censorship. Muslim groups in Denmark complained, and the issue eventually led to protests around the world, including violent demonstrations, deaths and riots in some Muslim countries.
Vilks saw the specific response to his cartoons as part of the artwork itself. All of the consequences, all the reactions, all of the outrage and all of the violence was an integral part of the art, and a political comment. By that definition, even this blog has become a part of the artwork.
One can, however, wonder if he thought it was worth it in the end.
Lars Vilks was 75 when he died, and he produced a great deal of other work during the decades. He was always conceptual and often controversial and the debate he contributed to will continue long after his death.
Watching the Swedes 