Surviving the Game. 


Each generation faces crises that convince them the world will end while they are still alive to witness it and when that end feels nearest, the people turn in toward themselves and face their God (or the Exceeding Nothingness they believe awaits). They slide the Great Abacus of Days, take account of their stewardship over time and resource. They reckon with what’s left of the ailing planet. (The other stars and any societies they may harbor will have to fend for and contend with themselves.)

If there were more films about what it is like to be Black on the brink of apocalypse, everyone would understand how I am so calm and so quiet, weeks away from our stateside seat of power changing hands, years away from the total erosion of the tundras that have kept so much calamity at bay, surrounded by those who deny things are as bad as all manner of evidence suggests. 

If more white folks read books from the Black perspective of Armageddon, no one would bother wondering why we who have long had our vote denied and suppressed do not loudly panic over impolite elections. We who have been enslaved whenever white men grew desperate do not feign shock when white people unveil their retrograde racism and comfort themselves with “humor” and faux-ironic observation because they, individually, cannot detect any racial animus in their hearts. It would seem quite natural for those who have been threatened and intimidated to grow quiet and guarded as another would-be oppressor ratchets up his bluster. 
Outside of America, some of the world’s Black nations have come closer to an end-of-days than most. If only anyone here had paid close attention, when machetes and machine guns felled hundreds of thousands in Rwanda or when the earth cracked open, swallowing so many Haitians whole and survivors struggled for years to rebuild, only to find their progress washed away with the arrival of angry gusts and torrents. If only anyone here had learned something from the nations that successfully resisted white colonization then found themselves expelled from their homeland amid decades of civil war or from armed men razing villages and stealing over 200 girls from their school dormitories while their parents waited helplessly for whim or boredom or the dull blade of conscience to prick the murderous infidels who took them, compelling them to return a few haunted souls at a time.

We are quiet because all we have ever had is us — and even among us, there is considerable treachery.

This isn’t a lesson to be gleaned only from examples abroad. When the first waves of crack and heroin capsized once-stable black communities and Lady Justice supplied the scales, microcosmic apocalypse made its way these shores. We who have seen the gradual transformation of lives, once carried out with love and even temperament, into something closer to feral than civil, something at times barely recognizable as sentient, will have little trouble devising a plan for survival when the so-called zombies come. Those who know firsthand what happens when trained civil servants with the power to protect us increasingly make the decision to protect only themselves will recover quickest from any shock when we are truly on our own as a culture and years of debate over bearing arms will seem a distant memory.

* * *

I came here to write about simple things: my byline made it into the New York Times (after a few failed attempts). I’ve adapted my last blog post, written back in July, into an audio essay and my friend John featured it on the Season 2 premiere of his amazing podcast, Scene on Radio. After angst and disappointment, I’ve landed my first-ever (and hopefully only) literary agent (though the circumstances sureounding that development are a story for a different time). My daughter is thriving in kindergarten, thereby affirming everyone’s decision to delay her entry by a year. I have finally escaped the clutches of an old, worn love (though that has only left me pining for love anew). The Rise of Charm City will likely live on for a second season, though it will take quite a bit more time and fundraising effort than I’d anticipated. I’ll have to find work that allows me to live decently in the meantime. And there is an election afoot I’d just as soon forget until November 8th. Easy things. But whenever I’d sit down to find some lovely way to write them out, I’d find myself frozen or indifferent or listless.

All of that would’ve been more than enough to fill an entry. I didn’t intend to begin with musings on apocalypse today. But aren’t we ever inching toward an end? Ours, singly, will likely come before the whole of society’s. But there is little difference in how we should respond. Contribute what you can to the world while you and it are still here. When it becomes unrecognizable, contribute still. It is meaningful now, no matter its impact later. Vote whenever the opportunity presents itself, even though you are aware that, no matter who ascends to power, the cards will be stacked against spades. Be stingy with your survival plan; it will be worthless to those who’ve refused to acknowledge your years of tactical practice. Share it only with those who’ve long understood why you have it, who trust the validity of your Black experience, who know full well how you’ve identified every remaining exit. 



One response to “Surviving the Game. ”

  1. This is a beautiful piece of art.

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about stacia

Stacia L. Brown was born in Lansing, MI at the very end of the 1970s. She grew up in Baltimore, MD–the county, not the city. She graduated from Trinity College (now Trinity Washington University) in DC with a BA in English and worked a few office gigs, while trying to jump-start her writing career, before moving to New York for grad school.

At 27, she finished an MFA in fiction at Sarah Lawrence College. She spent the next six and a half years working as an adjunct writing professor first in Michigan at Grand Valley State, Kuyper College and Grand Rapids Community College, then in Maryland at The Community College of Baltimore County and, for one dazzling semester, at MICA, while also working as a freelance writer for various publications, including The Washington Post, where she currently serves as a weekly contributor, New Republic, Rolling Stone, The Atlantic, and others.

In 2010, she became a mother.

For a semi-complete list of Stacia’s online publications, visit her bylines page.

Her short story, “Be Longing,” was selected for publication in It’s All Love: Black Writers on Soul Mates, Family, and Friends (Doubleday/Harlem Moon 2009), edited by Marita Golden. Her poem, “Combat,” appears in Reverie: Midwest African American Literature. Her essay on adjuncting as a single mother appears in the Demeter Press title, Laboring Positions: Black Women, Mothering and the Academyedited by Sekile Nzinga-Johnson.

Stacia served as the 2013-14 Editorial Fellow for Community Engagement at Colorlines. In June 2015, she was part of the inaugural Thread at Yale class. She was a 2015 participant in Women’s Media Center’s Progressive Women’s Voices training program. She was a 2019 Tin House Scholar and a participant in the Cambridge Writers Workshop in Paris, also in 2019.

In addition to her work in print, Stacia is also an accomplished audio storyteller. In November 2015, Stacia became the creator and producer of Baltimore: The Rise of Charm City, a radio and podcast series that tells intergenerational stories of place and memory in Baltimore City. Baltimore: The Rise of Charm City is part of the Association of Independents in Radio (AIR)’s 2015 Finding America: Localore project and is produced in partnership with WEAA 88.9.

She is the creator of Hope Chest, a collection of audio essays written to her daughter and present in podcast form at SoundCloud and Apple Podcasts. Hope Chest has been featured on BBC Radio 4’s Short Cuts and the Third Coast International Audio Festival podcast, Re:Sound. It was named one of Audible Feast’s Best New Podcasts of 2017. She also created and produces a micro-podcast for middle-grade book reviews, which her daughter narrates and hosts. It’s called Story on Stories.

In 2018, Stacia landed a gig at WAMU, as a producer of the NPR-syndicated daily news program, 1A. In 2020, she relocated from Maryland to North Carolina, where she produced radio and podcasts (including the incomparable Great Grief with Nnenna Freelon) for WUNC, North Carolina’s NPR station before moving onto other sonic endeavors. In 2022, she served as an advice columnist for Slate’s weekly parenting advice column, Care and Feeding.

Stacia resides in Durham with her amazing daughter Story.

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