On A Clear Day I Can See Forever
Ok, remember a month or so back when I made my prediction about Alien vs. Predator=Kerry vs. Bush? If not, there’s a search engine over there to the right. Look it up and read it, I’ll wait.
Then, read this.
Ok, remember a month or so back when I made my prediction about Alien vs. Predator=Kerry vs. Bush? If not, there’s a search engine over there to the right. Look it up and read it, I’ll wait.
Then, read this.
Anthony Mann’s gorgeous monochrome western, The Tin Star, may have been shot in black and white, but its themes are never that easily defined.
Charles DJ Deppner finds Flipside to be a vital treatise on mortality, creativity, and purpose, disguised as a quirky documentary about a struggling record store.
Tony-nominated smash success Stereophonic delivers a brand-new Broadway cast recording — straight from 1976.
Cocoa the Tour Dog is the heartwarming true story of a boy and his dog and his reggae band. Bob Pomeroy reviews the book by Adam Mansbach and reggae artist Stick Figure, with illustrations by Juan Manuel Orozco.
Veteran Tokyo punk band Melt-Banana brings Tomato Flower and Baby; Baby: Explores the Reasons Why that Gum is Still on the Sidewalk to Denver, Colorado, for an all-out punk feast. Meow.
Fumi Tomita’s new book, Early Jazz: A Concise History from Its Beginnings to 1929 seeks to expand the story of jazz to include early voices.
Bob Pomeroy ponders Squeeze, the final studio album credited to the Velvet Underground, and what it could have been.