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The Scariest Thing About “The Walking Dead” Remains Its Recycled Storytelling

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Despite promises of a game-changing Season 8 finish for “The Walking Dead” last night, the big episode was unable to shake the “been here, seen this” sensation of it all.

Back in February 2015, during the fifth season of “The Walking Dead,” the website Cracked ran an article titled “5 Plotlines The Walking Dead Needs to Stop Repeating.” In the #2 and #1 spots were the following: #2) There Is Always an Ultimate Goal That Never Pays Off and #1) Rick Struggles With His Humanity the Exact Same Way Each Season.

I bring this article up because here we are, over three years after it was published, and the same two storylines are still being beaten into the ground by “The Walking Dead.” In last night’s finale, which promised to wrap up the all-out war storyline, an ultimate goal didn’t really pay off and, wouldn’t ya know it, Rick struggled with his humanity again!

Two years after Negan arrived at the end of Season 6, brutally murdering both Glenn and Abraham and kicking off the all-out war storyline between heroes and Saviors, the battle ended with a whimper last night, with Rick deciding to honor Carl’s wishes and keep Negan alive. Our heroes got the upper hand on the Saviors when Eugene’s handmade bullets proved to be manufactured for the purpose of harming the shooters rather than their targets, allowing for Rick to flex his wrath while also exhibiting his mercy.

Rick slashed Negan’s throat, making sure it was only a flesh wound and instructing his people to keep Negan alive. His plan? Build a prison and house Negan in it for the rest of his days, using him as a shining example of a society being reborn the way it once was; rather than killing the bad seeds, they will be locked up in prisons just like the old days.

Last night, two years worth of storytelling came to a head in an incredibly anti-climatic (and nearly bloodless) fight on a makeshift battlefield, with no major characters losing their lives in the process. In other words, the show provided no real payoff to the Negan vs. Rick battle it spent two entire seasons building towards, setting up a ninth season that is looking mighty familiar to anyone who’s been watching the show since the beginning. We’ve once again found the good guys in a position where they’re going to be mingling side by side with the no-longer-bad-guys (with Negan beaten, they turned insta-pleasant), and we’ve yet again found Rick Grimes in a position where he’s promised himself that killing the bad guys isn’t the best way of dealing with the bad guys.

Shh, don’t tell him that it actually probably is. He’ll have to learn that for himself. Again.

Meanwhile, Daryl showed mercy on Dwight, banishing him from the group, while Morgan walked off into the world of “Fear the Walking Dead.” In the Season 8 finale’s most interesting tease for Season 9, we saw Maggie, Jesus and Daryl plotting to kill Negan themselves, scheming behind Rick’s back to undo his terrible, Carl-inspired decision; of course, even that thread feels immediately familiar, echoing the Shane vs. Rick storyline.

Scott Gimple, who steps down as show-runner beginning with Season 9, has promised that the next season will essentially hit the reboot button, presenting new storylines and overall injecting the long-running series with a bit of freshness. The Season 8 finale didn’t exactly seem to echo that promise, but one thing is certain in the wake of it: “The Walking Dead” *needs* to start doing things differently. As the dwindling ratings of late have suggested, many viewers have grown tired of the same-old, same-old storytelling, and I can’t even imagine myself sticking around for another season of Rick struggling with the very same internal strife he has been since the beginning. Nor can I imagine another season with Negan, who has worn out his welcome, as his foil.

We need new stories. We need new settings. We can’t keep beating the same horse.

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

Editorials

Before “Monster High” There Was Rick Moranis in “Gravedale High” [TV Terrors]

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For this month’s installment of “TV Terrors” we revisit the short-lived animated series “Gravedale High” (aka “Rick Moranis in Gravedale High“), which aired on NBC in 1990.

During the era of Saturday Morning Cartoons, there was always this idea by studios to build on a big star’s name by giving them an animated vehicle. We saw it with Mr. T, Chuck Norris, Macaulay Culkin, and Gary Coleman, as well as comedians like Louie Anderson and Howie Mandel. John Candy got (the still celebrated) “Camp Candy,” while his SCTV colleague Rick Moranis headlined his own animated horror comedy series for kids: “Gravedale High.”

Rick Moranis garnered immense fame and cult status in the eighties and nineties with an iconic comedy career that carried over into big films like Ghostbusters and Honey, I Shrunk the Kids. As a means of marketing off his momentum, an animated series was developed by NBC and Hanna-Barbera to help broaden his family friendly image going into a new decade. “Gravedale High” was born, an animated series that channeled the classic Universal Monsters and teamed them up with a human out of his element; Moranis, naturally.

Rick Moranis starred as Maxwell Schneider, a well-intentioned teacher who presides over a class of young monsters; and the only human among the colorful cast of monster characters. The series provides literally no backstory to explain how he’s found himself teaching at the titular Gravedale High, mind you, but it’s a fun gimmick that the writers run with all the same.

Even though they’re rarely mentioned, we know who these students are modeled after. Among Schneider’s monster class there’s Vinnie Stoker, a Fonzie-like teen version of Dracula. Frankentyke is a shorter, grouchier version of his monstrous father who is prone to bullying others. Reggie Moonshroud is a geeky red haired werewolf very similar in nature to Ron Howard. There’s also J.P. Ghastly III, a blue skinned gnome similar in appearance to Peter Lorre. And my favorite: Gill Waterman, a Spicoli-esque creature from a lagoon who lives and breathes for surfing.

And then there’s Cleofatra, a heavier female version of the mummy who is the antithesis of normal mummies and, as per the rules of the ’90s, obsessed with food. Sid is the class clown who is based on the Invisible Man. He compensates for being invisible by telling non-stop jokes and playing pranks. Rounding out the class, there’s the Southern zombie with an obsession for shopping named Blanche, as well as Duzer, the snake haired Gorgon who is also a vain, self centered Valley Girl.

While similar to “Scooby Doo and the Ghoul School,” Hanna-Barbera developed “Gravedale High” more like a teen sitcom in the vein of “Head of the Class” or “Welcome Back, Kotter.” Schneider always had a lesson to teach his monster class, with each episode mostly serving as a self-contained comedic misadventure. Despite being hopelessly outnumbered, Schneider viewed the students as more than just monsters, and always inspired them to do the right thing. Despite the students clashing with one another and giving Max a hard time, they also had a real sincerity toward him that made their whole dynamic a lot of fun.

Equally fun was the show’s ensemble voice cast, which included the likes of Shari Belafonte, Jackie Earle Haley, Ricki Lake, Maurice LaMarche, Ruth Buzzi, Charlie Adler, Frank Welker, and so many more.

While Rick Moranis’ career continued on, sadly the series only lasted for just thirteen episodes before cancellation; that can mostly be attributed to NBC dropping all of their kids shows altogether in the mid-nineties, in favor of a more teen oriented, live action line up. “Gravedale High” did manage to re-appear in syndication on occasion, however, and spawned a small line of McDonald’s kids meal toys that are still highly coveted by fans to this day.

While Moranis sadly retired from show business in 1997 to focus on his family, I’d still love for someone to revive this series with new characters and a more modern approach. A new generation of budding horror fanatics could use a show like “Gravedale High” in their lives.

Where Can I Watch It? Criminally, the series is not available to stream and you won’t find any official physical media releases in print, but full episodes can be found on YouTube.

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